Opto-2A is the tube compressor that started it all, first introduced in broadcasting and recording studios in the 1960s, its exceptionally warm sound and delicate compression character have made it the staple it has been for over half a century since its inception.

A 1980s classic, the SMT-100A is among the easiest compressor effects to learn. Yet, this ease of use doesn’t come at the cost of effectiveness or sound! For over 30 years now, the original unit this plugin is modeled after, has remained a top choice by the pros for its fast attack times and its ability to do a great job with vocals, drums, and bass. For its FPGA-driven replica, we worked hard to painstakingly preserve both the special sound of the SMT-100A and its simplistic design and control set.

BAE-10DCF originates from the end of the 1960s. Taking the best from a legendary line of broadcasting units, this stereo compressor has been turned into an extremely versatile processor. This official emulation of a classic vintage unit can be used as both a limiter and compressor. It features individual control over both components, with the limiter coming first in the signal chain.

Modeled after the most expensive and sought-after tube compressor/limiter from the 50s, the Tubechild 670 can put any track in-front of your mix, whilst preserving its musical smoothness.

The FET-A78 is a multi-purpose stereo compressor and peak limiter. It adds an inimitable 1980s analog punch to a variety of individual instruments and can glue a mix like no other digital tool.