Our high-end master clocks can be found in all the best studios around the world. The breakthrough technology behind them is a result of a 25-year constant innovation into the Pro audio industry.
Master Clocks
FUSION OF FLAWLESS CLOCKING TECHNOLOGIES
Key Тechnologies
64-BIT ACOUSTICALLY FOCUSED CLOCKING
A new level of detail via 4th Generation of Acoustically Focused Clocking employing 64 bit DSP.
JITTER MANAGEMENT ALGORITHM
Supremely low jitter thanks to our Oven Controlled Crystal Oscillator or sync via Atomic Input.
OVEN-CONTROLLED CRYSTAL OSCILLATOR
A temperature-controlled oven that keeps the oscillator at a constant temperature, providing stability and more reliable timekeeping than regular crystal oscillators.
RUBIDIUM ATOMIC CLOCKING SYSTEM
Originally found in commercial, portable and aerospace applications, this technology measures time by monitoring the frequency of radiation of rubidium atoms. This ensures super accurate timekeeping without the dependencies of crystal resonators.
OCX-HD Master clock
The heart of your Studio.
The vast choice of clocking options the OCX-HD offers, makes it the perfect solution for mastering, recording and project studios, film-scoring, post-production and live sound.
- Up to 768kHz Sample rate
- 10x WC outputs AES/EBU and S/PDIF connections
- Pull up/down options
- Video Sync input
- Intuitive software control panel on Mac & Windows
10MX Atomic clock
А benchmark for audio clocking.
The rubidium atomic clocking system makes the 10MX 100,000 times more stable than any traditional crystal oscillator, making vividly real the clarity, depth, width and 3-dimensional distinctive of the analog sound. The 10M signal is used to reference the regular Word clock generator, providing it with 10 million hertz frequency.
- Up to 768kHz Sample rate
- 4x WC outputs
- 10x Atomic 10M outputs
- Rubidium Atomic Clock generator
- Intuitive software control panel on Mac & Windows
Isochrone Trinity
The most versatile audio clock on the market.
In the fickle world of Audio & Video formats, Trinity is the Master Clock that stands out from the crowd, taking care of requirements that usually would have needed several units.
- Up to 384 kHz Sample rate
- 16x WC outputs & 6x Video BNC outputs
- AES/EBU and S/PDIF connections
- Varispeed & Pull Up/Down options
- 3 independent Audio clock generators
- 3 independent Video clock generators
- Intuitive software control panel on Mac & Windows
Stories from the industry
"The image was wider, more solid and the vocal appeared to project towards me."
Michael Brauer
7x Grammy Award Winning Mixer-Producer-Engineer
(The Rolling Stones, Bob Dylan, Paul McCartney, Coldplay, John Mayer).
VIEW FULL STORY
"It has drastically improved the sound coming out of my setup. Ever since I began using the 10MX I found that I need to do less EQ-ing. The signal has become tighter and sharper especially on the lows and the mids.”
Maor Appelbaum
Mastering engineer, musician
(Faith No More, Sepultura, Halford, Billy Sherwood)
VIEW FULL STORY
"On hearing the Antelope it was immediately apparent what I’d been missing: a wider stereo image, crisp transients and a 3D depth of field that let me “see” deep within my mix. Amazing."
Rik Simpson
Grammy award winning record producer, mixer, musician
(Jay Z, Kasabian, Coldplay)
VIEW FULL STORY
"After you first hear it, you realize that the Antelope clocking technology is superior."
Rafa Sardina
Producer/mixer/engineer
(Lady Gaga, Beyonce and Shakira)
VIEW FULL STORY
"I’ve tried many different permutations of clocking systems for recording and mixing and have had varied results which left me unsure whether there really was anything to be gained from a stable external clock. Having used these Antelope boxes, I can safely say the difference was truly staggering."
Paul Epworth
Producer
(Adele’s ‘21, Florence + The Machine’s, Ceremonials)
VIEW FULL STORY
"I know I can’t live without making the 10MX as part of my daily work life. It’s unbelievable what clocking done right can do for your music."
Greg Wells
Producer and songwriter
(Katy Perry, Timbaland, OneRepublic, Pink, Lindsay Lohan, Natasha Bedingfield, The Pussycat Dolls, Celine Dion, Ozzy Osbourne, Aerosmith, Elton John)
VIEW FULL STORY
"…more detail, ambience, and naturalness of the digital signal…"
Bernie Grundman
Mastering engineer
(Prince, Michael Jackson, Dr. Dre)
VIEW FULL STORY
"The image was wider, more solid and the vocal appeared to project towards me."
Michael Brauer
7x Grammy Award Winning Mixer-Producer-Engineer
(The Rolling Stones, Bob Dylan, Paul McCartney, Coldplay, John Mayer).
VIEW FULL STORY
"It has drastically improved the sound coming out of my setup. Ever since I began using the 10MX I found that I need to do less EQ-ing. The signal has become tighter and sharper especially on the lows and the mids.”
Maor Appelbaum
Mastering engineer, musician
(Faith No More, Sepultura, Halford, Billy Sherwood)
VIEW FULL STORY
"On hearing the Antelope it was immediately apparent what I’d been missing: a wider stereo image, crisp transients and a 3D depth of field that let me “see” deep within my mix. Amazing."
Rik Simpson
Grammy award winning record producer, mixer, musician
(Jay Z, Kasabian, Coldplay)
VIEW FULL STORY
"After you first hear it, you realize that the Antelope clocking technology is superior."
Rafa Sardina
Producer/mixer/engineer
(Lady Gaga, Beyonce and Shakira)
VIEW FULL STORY
"I’ve tried many different permutations of clocking systems for recording and mixing and have had varied results which left me unsure whether there really was anything to be gained from a stable external clock. Having used these Antelope boxes, I can safely say the difference was truly staggering."
Paul Epworth
Producer
(Adele’s ‘21, Florence + The Machine’s, Ceremonials)
VIEW FULL STORY
"I know I can’t live without making the 10MX as part of my daily work life. It’s unbelievable what clocking done right can do for your music."
Greg Wells
Producer and songwriter
(Katy Perry, Timbaland, OneRepublic, Pink, Lindsay Lohan, Natasha Bedingfield, The Pussycat Dolls, Celine Dion, Ozzy Osbourne, Aerosmith, Elton John)
VIEW FULL STORY
"…more detail, ambience, and naturalness of the digital signal…"
Bernie Grundman
Mastering engineer
(Prince, Michael Jackson, Dr. Dre)
VIEW FULL STORY
