Paul Bevan is one of New York’s busiest and most in-demand Sound Engineers, Production and Tour Managers, working on a wide variety of major corporate, special event and music projects,…
For the listening test, I recalled a mix I'd just sent off to Bob Ludwig for mastering. I heard the difference with the new clock almost immediately, and kept asking…
We needed clocks that could quickly and easily cope with all our different format demands, and not just for audio either as we also deal with numerous picture formats too.…
Initially, I had considerable confidence in my own studio system, but was taken by surprise the moment I connected the TRINITY. One clock had such a strong capacity to bring…
It has taken me more than two years to build Fenix Studio. My goal was to build one of the best, no compromise studios in northern Europe. Apart from the…
I've rediscovered the sound of my converters. With the Antelope's 10M and Trinity driving the clock of 'Augustus', the Forward Studios' Mastering Room, the sonic image, the precision and the…