EXPLORE THE FULL LINE
OF FPGA REAL-TIME VINTAGE AFX

Needless to say Goliath HD is armed with the full Antelope Audio arsenal of hardware-based FPGA FX. These include the most authentic and realistic zero latency Vintage EQs, Compressors and guitar amp & cabinet models on the market. Use them for real time tracking or mixing and easily save presets with your favorite setups. Those can be easily recalled or shared with other studio facilities, which are also part of the global Antelope Audio family.

  • Impressor
  • Tubechild670
  • BA-6A
  • FET-78A
  • SMT-100A
  • ALT-436C
  • Stay Levin
  • Grove Hill Liverpool
  • Gyraf Gyratec X
  • Tube176
  • x903
  • VCA160
  • FET-A76
  • FeedForward Antelope Compressor
  • VEQ-55B
  • Ha32C
  • VEQ-STU 900
  • VEQ-STU 169
  • VEQ-STU 089
  • BAE 1023
  • BAE 1084
  • VEQ-4K Series
  • NEU-W495
  • NEU-W492
  • NEU-PEV
  • LANG-PEQ2
  • HELIOS 69
  • VEQ-HLF
  • VEQ-55A
  • BAE-1073
  • VEQ-1A
  • VMEQ-5
Amps
  • BurnSphere(DE)Lead
  • Overange120(UK)
  • TweedDeluxe(US)
  • MarcusII(US)Lead
  • Rock75(UK)
  • Rock22.10(UK)
  • Plexi59(UK)
  • Modern(US)CH3
  • Top30(UK)Bright
  • Darkface65US
Cabs
  • Caliper501x10
  • Green4x12
  • Vintage4x12
  • Green2x12
  • England4x12
  • Bluelux1x12
  • Clst1x12
  • Top302x12
  • Modern4x12
  • Darkface652x12

Overview

ALL YOUR HD SETUPS BELONG TO GOLIATH

64 channels of audio now via HDX & USB 3.0

Goliath HD is a 64-Channel interface that can be used with Pro Tools HD or Native DAWs via second generation ThunderboltTM, USB 3.0 or via 2 MADI connections, which are compatible with MADI to Dante Bridge products. Coming with extensive I/O options, featuring 16 Accusonic mic preamps with individual volume controls, 32 analog ins with 124dB of Dynamic Range, 32 analog outs with 129dB of Dynamic Range, plus mastering grade monitor outputs, featuring new technology that boosts dynamic range to a spectacular 132dB.

Goliath HD comes with 8 instrument inputs, 2 transformer re-amp outs, integrated Talkback mic, 2 headphone outs and a pair of analog inserts. And if this wasn’t enough, the descendant of the mighty Goliath offers also AES, MADI, ADAT and S/PDIF connectivity.

Features

16 MIC PRES

16 Class-A Mic preamps. Hi-Z, Mic & Line ins with DMR of 124 dB

64 CHANNELS I/O

Simultaneous streaming of 24-bit, 192 kHz audio via HDX or USB 3.0 and MADI (to Dante Bridge), ADAT, S/PDIF and DB25

SUPREME AD/DA & CLOCKING

Latest generation of ESS powered audiophile grade conversion, paired with Antelope’s 64-bit Acoustically Focused Clocking technology with BNC Word Clock I/O plus the Antelope Audio 10M Atomic Input

MASSIVE FPGA

Proprietary FPGA for authentic modeling of vintage EQs, Compressors, Guitar Amps & Cabs; maintaining multiple mixers and zero latency real-time FX processing

MASTERING GRADE MONITORING

Goliath HD offers high-end monitor outputs, with dynamic range boosted to 132dB

SOFTWARE CONTROL

Touchscreen, enhanced front panel, user friendly routing, mixing and real-time effects processing via OS X & Windows compatible panel and mobile apps

Goliath HD Features

DESCRIPTION

THE POWER OF THE FPGA FX

Explore a growing library of legendary studio gear when tracking, mixing and mastering

FPGA offers a whole new level of real time performance and sonic excellence. The platform is taking advantage of real hardware circuitry and component modeling, allowing engineers to track a vocalist with a zero latency headphone mix, including reverb; record a guitar part with proper feel & tone, using onboard amp and cabinet FX. Capturing a full drum kit is also brought to another level with up to 16 mics using the industry’s best new Microphone and Mic Preamp technology, all in realtime.

…it looks great, sounds fantastic, feels reliable and solid — everything a high end piece of studio gear should be”

imgMatt Vanacoro, one of New York’s premier musicians, he has collaborated as a keyboardist in studio and on stage with artists such as Jordan Rudess (Dream Theater), Mark Wood (Trans-Siberian Orchestra), Mark Rivera (Billy Joel Band), Aaron Carter and many more.

LEAVE LATENCY BEHIND

Revolutionize your Pro Tools HD workflow

With Antelope’s proprietary HDX Delay Compensation, any analog or digital input can arrive in Pro Tools HD sample accurately in the timeline. No other interface on the market offer this level of perfect integration for digital sources to Pro Tools HD software.

The Antelope Audio Real-time FX, zero latency independent software mixers and routing matrix with two alternative views are the perfect compliment to Pro Tools HD studios, which have come to expect maximum power at their disposal. Goliath HD, however, is compatible with any DAW on the market making the device the heart and soul of the highest tier audio facilities around the world. Our newly introduced full Session Presets are the perfect match for the complex and large-scale setups and projects Goliath HD was designed to handle.

HD STUDIO CENTERPIECE

Work on complex projects and multiple DAWs with Goliath HD

By offering both HD and USB 3.0 modes, engineers can now accommodate producers and their laptop projects and integrate them into their existing HD setups by easily switching between HD and our low latency Thunderbolt™ Gen2 and new USB 3.0 modes.

Goliath HD guarantees quiet operation even in the most demanding control rooms. Don’t be surprised if soon expensive machine rooms become a thing of the past.

CLOCK IT LIKE IT’S HOT

The key to top sound is the Antelope Audio clocking

Another reason why Goliath HD sounds like no other interface on the market is because of the world-renowned Antelope Audio Acoustically Focused Clocking (AFC) jitter management technologies it features. With over 20 years of history in digital clocking behind us, we backed the Goliath HD up with all OCX HD and Trinity sounding audio clocking.

This unbeatable sonic detail and precision, combined with analog authenticity will bring your sound to the realms of hi-end audio. Now you can also spread this perfection across your whole studio as BNC connectors are available for use as Loop Sync, standard Word Clock I/O and the Antelope Audio 10M atomic input.

… it reacts right away, it shows exactly what you’re doing at the moment, there’s zero latency. And it’s a beautiful thing.”

imgMichael “Fish” Herring. An accomplished musician, Fish toured the world with artists from the unknown to the legendary. He has also appeared on records for artists such as Mariah Carey, Tupac, Nas, LeAnn Rimes, Siedah Garrett, Celine Dion and other superstars, as his discography continues to grow.

ALL THE CONTROL YOU NEED

Goliath HD comes with a revised Touchscreen display and enhanced front panel

Goliath HD features a redesigned front panel. With enhanced monitor and level indicators, the responsive Touchscreen offers multichannel metering, easy access to preferences, presets, and clocking modes for HD or Native interfacing. And if this wasn’t enough, the Goliath HD dedicated Android & iOS compatible mobile app will allow you to turn your smartphone or tablet into a powerful audio interface remote control.

*Compatiblity support for current and future iOS and Android versions has been suspended. Please revert to older iOS and Android versions for full compatibility

Specifications

  • ANALOG

    Analog Inputs

    • 2 × DB25 (16 channels total), +24dBu, 56 Ohms
    • 16 × Mic / Line on XLR combos
    • 4 × Hi-Z 1/4″” TRS

    Analog Inserts

    2 × Inserts on 1/4″ TRS (dedicated for inputs 1, 2)

    Analog Outputs

    • 4 × DB25 (32 channels total), +24dBu, 56 Ohms
    • 1 × Stereo pair of Monitor outs on 1/4″” TRS
    • 2 × Stereo Headphone outs on 1/4″” TRS
    • 2 × ReAmp outs on 1/4” TRS

    D/A Monitor Converter

    Dynamic Range: 132dB
    THD + N: -108dB

    A/D Converter

    Dynamic Range: 124 dB
    THD + N: -112 dB

    D/A Converters

    Dynamic Range: 129 dB
    THD + N: -120 dB

    Mic Preamp

    Gain: 0,10 – 65 dB
    THD + N: -112 dB

  • DIGITAL

    Digital Inputs

    • 2 × ADAT (up to 16 channels)
    • 1 × S/PDIF
    • 1 × AES/EBU (8 channels)
    • 2 × MADI

    Digital Outputs

    • 2 × ADAT (up to 16 channels)
    • 1 × S/PDIF
    • 1 × AES/EBU
    • 2 x MADI

    USB I/O

    USB 3.0 Super-Speed, Type B connector

    Thunderbolt™ I/O

    1 x Thunderbolt™ Gen2

    HDX

    2 x mini HDX connectors for direct Pro Tools connection, 32 Channels I/O each (total of 64 channels)

  • CLOCKING

    Word Clock Input

    1 x Input @ 75 Ohms 3Vpp on BNC

    Atomic Clock Input

    1 x 10M Input @ 75 Ohms 1Vpp on BNC

    Word Clock Outputs

    2 x Outputs @ 75 Ohms 3Vpp on BNC

    Clocking System

    • 4th Generation Acoustically Focused Clocking
    • 64-bit DDS
    • Oven Controlled Crystal Oscillator

    Clock Stability

    <+/-0.02 ppm, oven controlled at 64.5ºC/ 148.1ºF

    Clock Aging

    < 1 ppm per year

    Clock Calibration

    < +/-0.001 ppm

    Sample Rates (kHz)

    32, 44.1, 48, 88.2, 96, 176.4, 192

  • OTHER

    Operating Temperature

    0-50°C, 32-122°F

    Weight

    6.8 kg/ 15 lbs (approx )

    Dimensions (approx)

    • Width: 483 mm / 19”
    • Height: 81 mm / 3.2”
    • Depth: 279 mm / 11”

    Electrical specs

    AC Universal input: ~95-245 V
    Power Consumption: 50 Watts Max

    In the box

    • Goliath – ThunderboltTM and USB AD/DA Interface
    • Owner’s Manual
    • Warranty Card
    • 1 AEC Power cable
    • 1 USB cable

Additional Info: Internet connection required for product activation.