May 20, 2016
“…I’ve never heard vocal reproduction that good before” Crispin Murray and Miles Showell
We needed clocks that could quickly and easily cope with all our different format demands, and not just for audio either as we also deal with numerous picture formats too.…
May 20, 2016
“…an extended top end, deeper and more focused lows with a wider and deeper image” Lars Hallback
It has taken me more than two years to build Fenix Studio. My goal was to build one of the best, no compromise studios in northern Europe. Apart from the…
May 20, 2016
“…the sonic image, the precision and the transparency of my audio chain has been highly improved” Marcello Spiridioni
I've rediscovered the sound of my converters. With the Antelope's 10M and Trinity driving the clock of 'Augustus', the Forward Studios' Mastering Room, the sonic image, the precision and the…
May 20, 2016
Nick Litwin
"Having used to work with many of the best converters in the world, usually means having the best clocking technology and the most accurate jitter rejection available inside them, but…
May 20, 2016
“Mixing is much easier with this clock – especially vocals are more “in your face”” Tomi Pietila
I've always taken clocking technology very seriously. Two years ago I installed the Trinity in my mobile recording system based on DiCiGo SD8 with D-rack, a 96 I/O ProTools-system and…