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Antelope Staff

Antelope Staff
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Maor Appelbaum Mastering 2015 2
10MX
February 24, 2017

“It has drastically improved the sound coming out of my setup. Ever since I began using the 10MX I found that I need to do less EQ-ing. The signal has become tighter and sharper especially on the lows and the mids.” Maor Appelbaum

“I started using the Antelope Audio 10MX as a reference clock with another device I was using. However, when I heard it on its own I realized I actually didn’t…
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Antelope Staff
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Matthew Sim
ArtistsUser Stories
September 8, 2016

Matthew sim shares his antelope experience

Matthew Sim is a New York-based mixing engineer & music producer from Hong Kong. Besides working as a freelance mixing engineer/producer, he is currently a staff engineer at the legendary…
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Antelope Staff
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Paul Bevan
10MTrinity
May 30, 2016

“I’ve always been skeptical about people saying that they use a word clock. This is one of the first times I’ve actually had the time to sit down and do it… and I’m shocked.” Paul Bevan

Paul Bevan is one of New York’s busiest and most in-demand Sound Engineers, Production and Tour Managers, working on a wide variety of major corporate, special event and music projects,…
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Antelope Staff
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Greg Wells 2
10MX
May 20, 2016

“I know I can’t live without making the 10MX as part of my daily work life. It’s unbelievable what clocking done right can do for your music.” Greg Wells

For the listening test, I recalled a mix I'd just sent off to Bob Ludwig for mastering. I heard the difference with the new clock almost immediately, and kept asking…
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Antelope Staff
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Crispin Murray
10MTrinity
May 20, 2016

“…I’ve never heard vocal reproduction that good before” Crispin Murray and Miles Showell

We needed clocks that could quickly and easily cope with all our different format demands, and not just for audio either as we also deal with numerous picture formats too.…
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Antelope Staff
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Hiromi Kubo
10MTrinity
May 20, 2016

“A magical product that brings true 3-D sound!” Hiromi Kubo

Initially, I had considerable confidence in my own studio system, but was taken by surprise the moment I connected the TRINITY. One clock had such a strong capacity to bring…
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Antelope Staff
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Lars Hallback
10MTrinity
May 20, 2016

“…an extended top end, deeper and more focused lows with a wider and deeper image” Lars Hallback

It has taken me more than two years to build Fenix Studio. My goal was to build one of the best, no compromise studios in northern Europe. Apart from the…
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Antelope Staff
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Marcello Spiridioni 2
10MTrinity
May 20, 2016

“…the sonic image, the precision and the transparency of my audio chain has been highly improved” Marcello Spiridioni

I've rediscovered the sound of my converters. With the Antelope's 10M and Trinity driving the clock of 'Augustus', the Forward Studios' Mastering Room, the sonic image, the precision and the…
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Antelope Staff
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Yoshihiro Kawasaki 1
10MOCXTrinity
May 20, 2016

“It’s clear that sound production can be greatly enhanced through a combination of Antelope clocks.” Yoshihiro Kawasaki

Initially, I could not decide on which combination of clocks to use before recording!! That was how much I was surprised by the options and performance each of the OCX,…
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Antelope Staff
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Takeshi Inaba
Trinity
May 20, 2016

“When connected to the Trinity, the audio definition increases remarkably, and brings with it a tight low bass and a greater sound image.” Takeshi Inaba

To be honest, until recently, I was thought of master clocking as an internal/built-in feature. However, when the Trinity was connected as the master clock, I was truly able to…
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